Hurricane on the Bayou

A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.

In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and...

Aminodin's father always smiles because he says that happy people live longer. That's why, at age 8, Aminodin puts on her best smile while working at...

Two men, an aged farmer and his deaf-mute son, live in a remote area, isolated from civilization. Though sharing the same roof, problems, and sorrows...

Set in Charles Town, West Virginia, Halter Off offers an unapologetic look at one man's shot at a second chance. Angelo Jackson, a 50-year old horse...

Can’t Close Your Eyes is a video series that Ethan Hib has created to show off both local and international punk/hardcore acts. Each episode...

Lumière's documents life in Palestine.

The film shows a parade down Fifth Avenue, New York. In the foreground many children, both black and white, can be seen following alongside the...

In the background is a row of three-masted sailing ships, at anchor, their sales furled. In the foreground, a simple pier that's more like a yardarm...

A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations...

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico...

An interview of Tomás Milián discussing his performance in Umberto Lenzi's Almost Human.

Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.

An interview of Umberto Lenzi discussing the making of his film Almost Human.

Sergei Paradjanov, the great Soviet filmmaker of Armenian origin who was born and grew up in Tbilisi, Georgia, studied film in Moscow and worked for...

Found footage short about oil.

Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.

A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying...

On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine,...

A trip into grandma's intimate life shows the status of Slovenian women in the first half of the 20th century.