Self-portrait as Doubt

Still Life #02 is part of a broader investigation on our relationship with images and their immateriality. It emerges from the desire to touch the...

On Inauguration Day 2017, the filmmaker spent all day in a Washington, DC, used bookstore, where he bought a stack of audiotape secret telephone...

Mendieta, Ana: Burial Pyramide, Yagul, Mexico.

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose...

Humans, Animals, Earth, Wind and Water, converge with the same energy of a filmic fire, which crosses and relates them. By the appropriation of...

A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships,...

"Now Eat My Script is a precipice, a fluid solution in which some spectral noises of the self float adrift. Narration takes the role of a pregnant...

"as work in progress: treasures found in the streams around me."

Safe places to view from.

Living in fragments, pieced together in varied ways, uncertainly, and yet... Inside there is a familiar chaos, awaiting a key...

1996 Peter Rose short work. A magician-like figure delivers a peculiar speech that is embedded in extravagant arrays of time-delayed images that...

A vanishing portrait film of friends and loved ones, taking place over the course of a year; we see in real time as they disappear into the darkness...

Throughout three decades, Bill Laswell has been a constant innovator, fusing seemingly disparate genres into a whole new sound. Touching upon...

A self described "documediamentary" about the reactions to the release of the then final Star Wars film, "Revenge of the Sith".

A visual journey through the Mapocho river.

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical...

Stochastics investigates the possibility of making a primitive film, using a flea market Rolleiflex from 
the fifties, shooting on 120 (6 X 6)...

Experimental film about rhythm as corporal expression of a culture. Presents various choreographies and does not include the participation of men.

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.